![]() Servilely imitated as it has been ever since, it has, itself, the ring of ''young'' music. There are but two characters, and the orchestra is limited to the string quartet, but the action is so sustained, and the music so varied, that there is not a dull line in it. Part of its success on the stage is, no doubt, due to the humorous, neatly-written libretto this however would not have survived commonplace music any more than fine music can secure a long lease of life for an utterly dull libretto. In the winter of this same year he wrote his celebrated ''intermezzo'', 'La Serva Padrona.' This little operetta, which retains its freshness and charm at the present day, must, when produced, have been unique of its kind, and has served as the foundation of every comic Italian opera written since, up to Rossini's time. But as all the works yet enumerated seem to have been produced in 1731, his disgust cannot have lasted very long, and we can only suppose that the composition of some of them was considerably antecedent to their performance. To this mass Pergolesi subsequently added a third and fourth choir, and it was performed, entire, at the church of the Filippini.įétis remarks that at this time Pergolesi, disgusted with his ill success, had ceased to write for the theatre, and was now led back to it by his artistic bent. Leo, whom he invited to hear his work, was astonished, both at the beauty of the music and the short time in which it had been composed, and publicly praised the youthful maestro. Soon after this he wrote another mass, also for double chorus of five voices and two orchestras. It was probably due to the Prince that when, after a terrible earthquake at Naples, a solemn mass was voted to the patron saint of the town, Pergolesi was commissioned to compose the music, a task he performed by writing a mass, with vespers, for ten voices and double orchestra. For this friend he wrote the thirty Trios for two violins and bass, twenty-four of which were afterwards published at London and Amsterdam. It would have gone ill with Pergolesi if he had not found a friend in the Prince of Stegliano, first equerry to the King of Naples, who, perceiving his rare abilities, helped him and got employment for him. Villarosa says it deserved the highest approval but it seems to have had a mere ''succès d'estime.'' This was also the case with an ''intermezzo,'' 'Amor fa l'uomo cieco' while 'Recimero,' a serious opera, produced at the S. His first opera, 'La Sallustia,' was produced in the winter of this year, 1731, at the Fiorentini theatre, and many novel effects were introduced in the orchestral parts. Page body (to be transcluded): pupil than he could teach him.
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